Shiva Bhairava

North Central India, perhaps Rajasthan, ca. 11th–12th century
Sandstone
86.21
Purchased with funds generated from gifts of Dr. and Mrs. Renato Almansi, Mr. and Mrs. Judson Biehle in memory of Dean Martha
Biehle, Mrs. Josefa Carlebach, Dr. Samuel Eilenberg, Dr. and Mrs.
Martin J. Gerson, Mr .Robert Landers, Dr. Richard Nalin, and Mr.
And Mrs. Irwin A. Vladimir
Height: 68 cm

Guiding Questions
What do you think might be the relationship between the various figures on this stele?

What can you tell about the largest figure by looking at his pose and the different objects he is holding?

About The Work And Culture
Bhairava is the terrifying aspect of the Hindu god Shiva. It is Shiva’s most wrathful form. He is the ultimate in divine destruction. This monumental image manifests Shiva’s power over the material world. Here, his eyes bulge with anger; his staff is topped by a grimacing human skull; snakes curl around his ears; and his hair, with the matted locks of an ascetic, is adorned with severed human hands and another skull. The destructive power of Shiva, represented as Bhairava, illustrates the Hindu belief that creation and destruction go hand in hand.

Ultimately, we are to understand that our world is nothing but illusion. Shiva Bhairava is the destructive force that liberates us from entanglement in illusion and in so doing brings transcendent peace. 

Shiva is a popular Hindu deity that has many benevolent and fearsome forms. Sometimes, he is depicted as an omniscient yogi living an ascetic life on Mount Kailash, as well as the husband of Parvati with two sons, Ganesha and Kartikeya. Other times Shiva is the Cosmic Dancer. In fierce aspects he is depicted slaying demons. Often he has a third eye on his forehead, a snake around his neck, a crescent moon in his hair, the river Ganga flowing from his hair-bun, the trishula ( a type of trident) as his weapon, and the damaru (a small two headed drum) as his instrument.

Connections
Another aspect of Shiva is Shiva Nataraja. Shiva Nataraja is the Lord of the Dance, which symbolizes eternal and cyclical nature of the universe that the regular rhythm of the dance sets in motion. 

Shiva Nataraja
South India, 16th or 17th century
Bronze
2004.4
Gilbreath-McLorn Museum Fund

How are these two depictions of Shiva similar or different?

The sculpture of Shiva Bhairava may have stood inside a temple similar to this one. How is it different to think about the sculpture in this context?
Baroli Temples Complex
10th century CE
Rajasthan, India

Additional Resources
Hinduism and Hindu Art, Metropolitan Museum of Art: http://www.metmuseum.org/toah/hd/hind/hd_hind.htm

BBC article about Shiva: http://www.bbc.co.uk/religion/religions/hinduism/deities/shiva.shtml

Share This

Twitter icon
Facebook icon
LinkedIn icon
Pinterest icon
e-mail icon

Address:
Mizzou North
115 Business Loop 70 West
Online Contact Form
Phone: 573-882-3591

Hours:
Tuesday-Friday, 9am-4pm
Saturday-Sunday, Noon-4pm
Closed on Mondays and University holidays

"I still remember the feeling of awe and disbelief when I was alone and walked in the room with those casts." --Ruth Tofle, chair of architecture, winner of the 2013 distinguished faculty award from the MU Alumni Association