For many, the mere mention of Rembrandt’s name evokes associations with paintings of unparalleled psychological subtlety. Fewer are aware that his exceptional skills as a printmaker earned him equal—if not greater—praise during his lifetime and after his death. In 1669 French critic Roger de Piles observed how Rembrandt, with “every stroke of the [etching] needle, like every stroke of the brush in painting, gives…a character of life and truth which makes one admire his genius.”
Expressive Lines: Rembrandt as a Printmaker features a selection of prints on loan from a private collection, including Rembrandt's most striking etched landscape, The Three Trees of 1643. On view in the museum's Gallery of European and American Art, the focus exhibition provides visitors a unique opportunity to slow down, look closely, and gain a deeper appreciation for Rembrandt as a printmaker.
Rembrandt Harmenszoon van Rijn (Dutch, 1606-1669), The Three Trees, 1643, Etching with drypoint and engraving with sulphur tint, Loan courtesy of a private collection
Rembrandt Harmenszoon van Rijn (Dutch, 1606-1669), Self-Portrait Leaning on a Stone Sill, 1639, Etching, Loan courtesy of a private collection
The exhibition was made possible by a gift from Museum Associates, Inc., with public support from the Missouri Arts Council, a state agency.